Santo Domingo ↔ Trondheim

LuzAlondra

Painting, muralism, drawing, performance, installation and video.

Work shaped by identity, memory, desire and the movement between individual and collective life.

The small, when gathered, creates the immense.

Luz Alondra’s practice traces the movement between the individual and the collective through love, desire, memory, race and belonging.

Tales of Love
and Movement

Wall text from the Tales of Love and Movement solo exhibition in Trondheim
Kultursenteret ISAK · Trondheim, Norway · 2024

First solo exhibition in Norway

“This body of work speaks to the intricate connections that make us part of the living world. It moves between inner and outer life—toward becoming one with oneself and everything else. The individual becomes the group. These images are a portrayal of love through my eyes.”

Exhibition information ↗

Four
chapters

The artist’s own image documentation will be added here soon.

01

Trondheim · Norway

Tales of Love and Movement

Luz Alondra’s first solo exhibition in Norway, presented at Kultursenteret ISAK.

02

Chavón · Dominican Republic

Recent paintings from Chavón

A new group of paintings made during Luz Alondra’s time at Altos de Chavón.

03

Santo Domingo · Dominican Republic

Punto Nodal

Work presented in the young creators group exhibition at ASR Galería.

04

Espacio Otro

Selected work

A recent work presented at Espacio Otro.

From the studio

Monthly notes, process, images, and moving ideas.

01

The first note is on its way.

All notes

About
the artist

Luz Alondra Sosa Vargas (b. 2001) is a Dominican visual artist and muralist based in Santo Domingo.

A graduate of the National School of Visual Arts (ENAV) and the Altos de Chavón School of Design, she began working with muralism, painting and drawing at a young age. Her practice now also includes performance, installation and video art.

Her research explores connections, identity and memory—asking how the individual converses and intertwines with the collective. From the premise that the small, when gathered, creates the immense, she examines desire, love, the body, union, and the historical and racial forces that shape identity.

She is co-founder of GVL Art Studio and has participated in group and solo exhibitions, including her first solo exhibition in Norway, Tales of Love and Movement (2024). She continues to expand her artistic research from Santo Domingo.

Education

National School of Visual Arts (ENAV)

Altos de Chavón School of Design

Practice

Painting · Drawing · Muralism

Performance · Installation · Video

Based in

Santo Domingo

Dominican Republic

The individual
and the whole

I begin with a central premise: the small, when gathered, creates the immense.

I recognize the particular within the general. I am interested in revealing how the individual becomes a living expression of the larger social whole—and how silent, normative forces can place that individual in the role of an actor without agency.

This actor falls back into a world already made and determined, becoming separated and alienated from it. They create tools to find their place in the “world–no-world”: art, or whatever comes to be valued as such. Any resource may become a way to re-enter the narrative, within the constant struggle between separation and union. An unrecognized being in relation to the whole, carrying a fragmented identity, searches for a place on a map that does not always exist—or changes with every attempt to be found.

Part one

Love, desire and the search for oneself

I address the individual who wishes to find themselves within the whole, simply by being. I explore solitude in the search for and encounter with love: in the couple, the family, desire, dreams and the “world–no-world.” These works emerge from my encounters with love, sex, union and desire.

Part two

History, race and belonging

Here, the individual borders and merges with the collective. I turn toward race and ethnicity, and toward an intentional re-signification of history—a reimagining of the given past. Desire is projected outward through questions: What might we be if so many Taíno people had not been killed? Where does that wound live in the present? I also return to belonging: the place we are meant to occupy, and how nature sometimes passes through and offers an answer.

Selected

The recent contexts around the work.

01Punto NodalGroup exhibition · ASR Galería, Santo Domingo
02Tales of Love and MovementSolo exhibition · Kultursenteret ISAK, Trondheim
03Espacio OtroSelected work · full documentation forthcoming
04ChavónRecent paintings · Altos de Chavón

Let’s makesomething.

Available for murals, original work, exhibitions and selected collaborations.